You’d think with a tween daughter at home, Welsh actor Michael Sheen would have been declared a hero after landing a role in the super- hot “Twilight Saga.” But when Michael stopped by “The Bonnie Hunt Show” today to talk about the series, he revealed that his 10-year-old’s reaction wasn’t quite what he had expected.

“It’s a sort of double edged sword though,” Michael explained about his role as “New Moon” dastardly vamp Aro. “I remember when I was her age, things I was really into, the last thing I wanted was my dad being into it as well. when I first told her, we were eating some food and I said, ‘Look, I’m going to be in the next film. I’m going to play Aro.’ And she was lifting the food to her mouth and she froze, and I thought, ‘What is she doing?’ and a tear started rolling down her cheek. And I thought, ‘That’s nice. That’s exactly the reaction I want.’ And then she punched me.” of course his daughter’s reaction turned from distraught to elation once she realized she’d be attending the film’s big premiere.

When Bonnie asked Michael how many times he’s been questioned about Kristen Stewart and Robert Pattinson making out on set, the actor unsurprisingly played coy, changing the subject. “Everyone worked very hard,” he replied. “It was quite weird for me to be on a set where everyone is so young and beautiful. It made me feel every one of my 2,000 years.”

Like many of Hollywood’s talented actors, Michael has a long resume rife with odd jobs, including a stint as a paperboy and a fast food worker. “I was a terrible paperboy,” he said. “I didn’t like getting up in the morning. my mum would have to do the route.” He’s come a long way since, having even recently received an award from the Queen of England, whom he’s had much fictitious experience with playing former British Prime Minister Tony Blair several times. when he finally met the “real” Queen, he quickly learned about her brusque way of ending conversations. “The thing that the Queen does which you don’t realize until you meet her, because presumably when people meet the Queen they can get very flustered and sort of rabbit in the headlights, she puts her hand out and presumably people carry on talking or keep shaking her hand. so she does this thing where she takes your hand and shoves you away!” All hail the Queen, indeed!

Did you catch Michael Sheen’s appearance on “The Bonnie Hunt Show”? what was your favorite part?

Did you read last week’s box office report? no? Well, if you had, you’d notice something’s awfully similar about this week’s top five at the box office. namely, four of the five held these very same positions last weekend.

Once again, the top three at the theaters this weekend were The Twilight Saga: New Moon ($42.5 million), The Blind Side ($40.125 million), and 2012 ($18 million). Somehow, The Blind Side has actually made more money this weekend than it did in its debut weekend, probably due to the holiday and all the good buzz for Sandra Bullock, bringing the feel-good picture to a very quick $100 million. Meanwhile, New Moon has picked up $230 million in its two weeks. 2012 has $138 million this weekend, making for a very top-loaded box office.

Coming in fifth place this weekend was last week’s fifth place film, A Christmas Carol, which took in $16 million this weekend to cross over $105 million domestically. in fact, the only interloper into the top five that’s new is Old Dogs, which somehow debuted in fourth place with $16.8 million, despite the fact it looks absolutely terrible.

The other wide release this weekend, Ninja Assassin, stabbed and killed its way to a fairly impressive $13.1 million opening weekend. despite the incredibly negative reviews, this is the kind of picture that’s going to find an audience regardless, and it’s a whole lot more entertaining than New Moon could hope to be if you’re a big fan of brainless action movies. see my review, if you’re so inclined.

Sony’s $70 million dollar animated comedy, Planet 51, took seventh place this weekend on a take of $10.2 million, but it’s looking like it’s not going to break even. It’s only grossed $28.4 million at theaters so far, and given the upcoming competition, it won’t fare very well. Sony is trying like hell to get an animation division off the ground, but it’s just not working. They’re a distant third, maybe even fourth, when it comes to money-making animation studios. But, as the PS3 proves, if you throw enough money at something, you might break even in five years.

Precious drops to eighth place this weekend, but considering it has only played in 660 theaters or so at its widest opening, the $7.09 million weekend, and $32 million overall, is definitely a success for a very intense, very difficult to handle drama with limited appeal. Plus, you know, all the sexual assault, abuse, and the like.

Entering the top ten this weekend was The fantastic mr. Fox. Wes Anderson’s stop-motion animated film starring the voice of George Clooney as the eponymous mr. Fox took in $7.02 million this weekend in its first week of wide release. I didn’t know this one was going wider, and I kind of want to see it if only because I like stop-motion.

The Men Who stare At Goats ended up in tenth place this weekend, with only $1.5 million. in fact, it was the only movie in the top ten not to make at least $7 million, which is kind of strange. I guess, since it was a weekend and a holiday, there were a lot of people out in the theaters.

Opening this weekend, after months of me getting beaten by the trailer, is Brothers. The drama about an Iraq war veteran who is presumed dead, only to come home and find out his brother has been shagging his wife, has been playing in theaters for months, and I’ll be damn glad when I don’t have to look at Tobey Maguire anymore.

Also bowing is the action flick Armored, and two comedies, Transylmania (please, God, make it go away) and Everybody’s Fine, which looks like one of those sweet family comedies that cleans up this time of year.

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AM (Chaske Spencer) is the alpha of the shapeshifters pack who have the ability to transform into wolves to protect humans from bloodthirsty vampires. Sam communicates with his pack through telepathy. if he decides to make a decision for the rest of the pack they cannot ignore him.

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Jacob has a huge crush on his friend Bella and helps to cheer her up after Edward leaves. In this movie we see him develop into a werewolf for the first time – and become irresistibly handsome as Edward’s love rival. He saves Bella’s life twice and is devastated when she flees to Italy to try to save Edward.

EMBRY (Kiowa Gordon) is Jacob’s pal who suddenly becomes distant and unfriendly when he gets his calling to join the pack. He is the fourth boy to become a wolf and Jacob only understands what is happening when he becomes the fifth.

PAUL (Alex Meraz) is the third teenager to become a wolf and is the most volatile member of the pack. He struggles to control his temper and lunges at Bella when she accuses the pack of luring Jacob into a cult.

JARED (Bronson Pelletier) is the joker of the wolf pack and is the second Quileute to transform into a wolf after Sam.

EMILY (Tinsel Korey) is Sam’s fiancee and a mother figure to the wolf pack. the left side of her face and body is scarred after Sam tragically lost control as a wolf and mauled her.

The vampires…THE VOLTURI

CAIUS (Jamie Campbell Bower) white-haired vampire and another right-hand man to Aro, he was born in 1000 BC. if he had his way, Bella, Edward and Alice wouldn’t be allowed to leave Volterra unscathed.

ALEC (Cameron Bright) is Jane’s twin brother who can speedily incapacitate his victim by making him or her blind to their senses

JANE (Dakota Fanning) a small but powerful vampire who has the ability to

physically torture others by penetrating their minds.

ARO (Michael Sheen) is the leader of an ancient Italian vampire coven known as the Volturi. He was born in 1300 BC and has a powerful talent – a simple touch of the hand is all it takes for him to hear every thought you’ve ever had. He is impressed by Bella’s immunity to vampire “special powers” but her freedom comes at a price…

MARCUS (Christopher Heyerdahl) Aro’s right-hand man who “sees” the relationships between people and therefore their weaknesses.

DEMETRI (Charlie Bewley) a vampire with unparalleled tracking abilities to find anyone he is ordered to locate.

LAURENT (Edi Gathegi) may have tried the “vegetarian” lifestyle but he soon proves he’s back to his old bloodthirsty ways when he pounces on Bella in the meadow. with Edward AWOL, Bella is left defenceless as Laurent moves in for the kill. Who will save Bella now?

VICTORIA (Rachelle LeFevre) is feeling murderous after Edward killed her “mate” James at the end of Twilight. She plans to kill Bella – a mate for a mate – in a slow and torturous fashion, if she can just get past the werewolves…

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Bella (Kristen Stewart) and Edward (Robert Pattinson), stars of The Twilight Saga: new Moon. Photograph: Kimberley French

Biggest. Midnight opening. Ever. And on a school night! God, where were we before the Twilight saga stole all our neurons, with its hormone-detonating tales of supernatural events in the rain-sodden town of Forks, Washington?

Who knows, but there will likely be some of you who are still holding out against surrendering to the teen phenomenon, little realising that your principled resistance is in fact nothing more than the series’ clunking abstinence metaphor in microcosm, and that not giving in to it is basically as frustrating as not losing your virginity to Edward Cullen because it’ll turn you into a vampire. (Incidentally, can a Professor of new Moon Studies get in touch and clarify whether Bella can do it with Jacob Black without catching werewolf? Lost in Showbiz is a little hazy on the theoretical sexual perils of the Twilight universe.)

Yet whatever your objection, know this. every time you type the words “what is Twilight?” or “why is the Guardian writing about this?”, not only does a fairy die, but a little more definition finds its way to Taylor Lautner’s hairless lycan abs, and will continue do so until his rectus abdominis stands out in such shocking relief that the mere sight of it or any of its attendant muscles will prevent anything about war, pestilence, famine, death or the truth about 9/11 ever being covered again in this newspaper – and indeed any other. So at some point you need to decide whether you’re going to be part of the problem or part of the solution.

Once you’ve picked the right lane – welcome, age-inappropriate Twi-hards – you will realise that was merely the first step, and that you’re still quite the awkward stranger in your new domain. just like Bella! Fiddling really awkwardly with your hair should help, though you might care instead to attend your first over-18 new Moon prom – there’s one on in Newcastle tomorrow night – or perhaps to join the ineffably troubled community that is twilightmoms.com.

For the less damaged, there are other ways in. The Guardian’s legions of Wire fans who laughed knowingly into their martinis when the drug dealers called their packages names such as WMD, or Pandemic, may find something they can latch on to in this week’s news that Twilight-branded heroin baggies have been seized on Long Island. Fo’ real, and so on. There’s an idiosyncratically rendered likeness of Robert Pattinson on the wrap, so ask yourselves if there’s any face you’d rather see before you slump back into diamorphine-facilitated oblivion? Except the fashion-forward hoppers among you, who will of course be looking to tighten the ligature around your upper arms while gazing at the packaging for the as-yet unreleased Jacob Smack.

Needless to say, Twilight heroin is far from being the most disturbing unauthorised Twilight product. At present that would probably be a toss-up between the vibrating Edward doll and the babygrow reading “My Mommy is a Bella” – but we’ll deal with those once your stabilisers are off.

For now, it’s time for your primer on perhaps the defining quality of the new Moon juggernaut: the total and utter inability of any adult mortal to put a dent in it. “Charisma by Madame Tussaud”, fumes venerable film critic Roger Ebert, as the film prepares effortlessly to hold its position at the top of the box office on both sides of the Atlantic this weekend. “We struggled to see in new Moon a metaphor of teen conformity and longing but found only a muddle,” sniffs the Hollywood Reporter. “We tried to locate in it some comment on post-Aids, Christian rock-era abstinence and found nothing you couldn’t get in a church-group public service announcement.” A verdict that will merely have prompted a thousand Twi-hards to ask: “Can I get a supersize serving of Wolf Pack abs in a church-group public service announcement? in which case, sign my ass up for a silver ring now. It’s only one orifice that’s sinful, right?”

“Sorry girls,” sneers the Boston Globe, “the thrill is gone.” Um, sorry Boston Globe or whatever, but the thrill just got his chest waxed. Do you see, entry-level Twi-hards? never mind abstinence. It’s an impotence metaphor. every single thing any middle-aged man writes is useless – powerless! meaningless! – in the face of a gazillion teenage girls. Time for this week’s gratuitous literary analogy: it’s like that bit in A Passage to India when Mrs Moore visits the Marabar Caves and discovers that whatever is spoken into their dark recesses, it all comes back as the same terrifying echo of nullity. “Hope, politeness, the blowing of a nose, the squeak of a boot, all produce ‘boum’ . . . The echo began in some indescribable way to undermine her hold on life . . . it had murmured to her ‘Pathos, piety, courage – they exist, but are identical, and so is filth. Everything exists, nothing has value.’”

Boum, boum, boum . . . This is the Twilight industrial complex, my darlinks – and you’re living in it. You may as well offer it your neck today.

In theaters

THE TWILIGHT SAGA: NEW MOON, directed by Chris Weitz, written by Melissa Rosenberg, 130 minutes, rated PG-13.

The new Chris Weitz movie, “The Twilight Saga: New Moon,” had the sold-out audience at my screening heaving and sighing so often — usually when a young man’s shirt came off, which was often — here’s a recommendation for those who haven’t seen it: Bring an oxygen tank. You’ll need it and a mask, particularly in the presence of so much heaving and sighing and busy shiftlessness.

I’m telling you, if the crowd is packed, the air will be sucked free from the room. Just saying.

This follow-up to “Twilight,” which also is based on a Stephenie Meyer’s best-selling novel, is custom-made for hormonal ‘tween girls just as the “Star Wars” movies were made for sci-fi loving young boys.

So let’s give it up to its creators because regardless of how drawn out and dumb this movie is, with $142 million in the bank last weekend alone, this movie knows what its audience wants — shirtless boys, chaste kisses, and a female character caught between the hotness of two hotties (a werewolf, a vampire) who apparently is willing to throw garlic cloves to the wind to give her soul to the latter.

About the young woman in question: her name is Bella Swan (Kristen Stewart); she’s slumming in Forks, Wash., with her single dad, Charlie (Billy Burke), and her hormones are boiling over as if lit by a satanic hellfire.

We don’t know this because Bella expresses her emotions easily. She’s nearly a mute, poor thing, parting her lips but saying as little as possible, but because when the vampire, Edward (Robert Pattinson), decides he must remove himself from her life in order to protect her from his kind, she literally writhes in pain, screams out in agony and has nightmares that suggests one hell of an epic yearning.

With Edward gone for most of the movie, there to pick up the pieces for Bella is Jacob (Taylor Lautner), her lifelong friend who wants more than a friendship with her. Together, they grow close over motorcycles, mutual sidelong glances and his bulging new muscles. But here’s the thing; turns out Jacob has a gene that allows him to morph into a werewolf.

Who knew? he didn’t. and here’s the real issue at hand. Just as with Edward, if the two take the risk of edging toward sexual intimacy, Jacob could potentially harm her if things got out of hand between them. after all, all one has to do is look at the shredded face of one of the wives of Jacob’s werewolf leaders to know how dire having sexy times with a werewolf can be. Just as it could with Edward, it might cost Bella her life, or at the very least, a disfigurement. and who wants that?

Bella does — of course, she does — though not with Jacob. She wants Edward, who appears to her in ghostly flashes during those moments when she nearly harms herself. These moments fuel her desire for him even more. after all, he wouldn’t appear to her if he didn’t love her! and so as the movie unfolds, she becomes more and more determined to have him back in her life so she can strip down and give him her, um, soul.

What unspools from this is another glum film about the perils of teen intimacy that still finds life hinging on abstinence and morality. While those are fine messages to send out to young audiences, the way it’s played here is so brooding, it’s nearly bloodless. that is, of course, until the film’s final moments, when real heat emerges in Italy.

Just what goes down there, we’ll leave for you, but it says a lot for the movie that the two most interesting characters come at the end — Dakota Fanning rules the screen as a dead vampire zealot with a mean stare, a tight golden bun and a hot clip; and Michael Sheen creates all kinds of chaos as the leader of all vampires. Each ooze menace to the point that you think, finally, characters who fill up a room, tear up the scenery and allow fear to creep into your heart. These two actors are so superior to the juiceless love otherwise served up in the movie, you can’t help wishing they had a movie of their own.

WeekinRewind.com is the site for Bangor Daily News film critic Christopher Smith’s blog, DVD giveaways and movie reviews. Smith’s reviews appear Fridays and weekends in Lifestyle, as well as on bangordailynews.com. he may be reached at Christopher@weekinrewind.com.

Renting a DVD? NEWS film critic Christopher Smith can help. Below are his grades of recent releases. those capped and in bold print are new to stores this week.

Angels & Demons — C-

Bruno — C

Drag Me to Hell — B+

Dragonball: Evolution — C

Fast & Furious — B-

Funny People — C+

Ghosts of Girlfriends Past — D

Hannah Montana: The Movie — C-

I love You, Man — B+

Land of the Lost — BOMB

My Bloody Valentine 3-D — B-

Observe and Report — C-

Race to Witch Mountain — C-

Sunshine Cleaning — B

The Taking of Pelham 1 2 3 — B

Transformers: Revenge of the Fallen — D

X-Men Origins: Wolverine — B-

If you went to see New Moon and happened to be at the same showing as Katie Holmes, chances are you missed a bunch of it. Holmes went with friends and talked through the entire flick. Twihards were seething with anger but apparently didn’t say anything because of Holmes’ celebrity status.

Sources tell Fox411:”Katie came into the movie theater with two of her girlfriends in a great mood. They bought tickets in advance to see ‘New Moon’ like all the rest of the Twihards. They checked out the snacks and then they took their seats and kept talking.”

The source went on to say, “Katie talked through all of ‘New Moon.’ It was unbelievable – they talked nonstop about the movie and everything else. some people wanted to tell them to be quiet, but when they realized who it was, they stayed silent. no one wanted to shush Katie.”

Is this Katie’s suicide attempt? Her one way to escape the clutches of Tom Cruise? no one in their right mind would wreck New Moon for a Twihard, right? get all your celebrity betting odds in the Bodog Sportsbook today. Don’t have an account yet? Join Bodog today.

The undeniable world domination by lecherous, blood-sucking fiends continues with the release of the second segment of Stephanie Meyer’s “Twilight” saga, “New Moon.”

For those of you who have been living under a rock for the past four years, “Twilight” is the new worldwide literary-cum-cinematic phenomenon, filled with romance, action and magical creatures.

The series begins with “Twilight” where shallow, vapid and hallow Bella Swan (Kristen Stewart) discovers that her soulmate, Edward Cullen (Robert Pattinson), is a vampire. in “New Moon,” the hot romance is pushed aside by peril when Edward leaves Bella. she goes into a psychotic depression, riddled with night terrors, starvation and monotony. however, Jacob Black (Taylor Lautner), a new romantic interest, slowly brings Bella out of her funk.

In comparison to “Twilight,” “New Moon” surpasses the film by leaps and bounds.

“New Moon” Director Chris Weitz gave Stewart, Pattinson and Lautner more to explore with their characters in this movie rather than having them lie in a meadow and gaze dreamily at each other, similar to Catherine Hardwick’s direction in her masterpiece (or monster-piece, however a viewer looks at it), “Twilight.” Granted, “Twilight” has a mere budget of $37 million according to “Entertainment Weekly” (ew.com/ew/article/0,,20211840,00.html) while Summit Entertainment granted $50 million dollars for “New Moon” according to the L.a. Times (latimes.com/business/la-fi-ct-newmoon21-2009nov21,0,7638993.story). a little more money and a better director can go a long way, however, the lead actors are not Oscar worthy themselves.

However, Weitz is well known for his special effects in movies, most notably the film adaptation to Philip Pullman’s novel, “Northern Lights,” better known as “The Golden Compass.” in “New Moon,” we are introduced to the world of the La Push werewolves (more like shape-shifters, but the argument is better left to Geek Columnist Brennan Whitmore.) the wolves are described to be about the size of a bear and Weitz brings them to life and height in the film with his special effects. however, while it’s difficult to imagine six-foot-tall werewolves while reading the novel, it’s even harder to stomach while watching the movie. the blame is cast on Meyers: who can really see six-foot-tall werewolves in their mind?

Despite the overabundance of corny lines and awkward moments, the best courtesy of Mike Newton (Michael Welch), there are a few highlights to “New Moon.” Javier Aguirresarobe’s cinematography was brilliant. the transitions of time during Bella’s depression was clever and the camerawork during a werewolf fight was faster than lightning, but still managed to make sense and kick ass when it came to the action.

Through it all, Michael Sheen stole the movie as Aro, one of the leaders of the Volturi, the vampire royalty/government based in Italy. While Sheen is not unfamiliar with playing creatures (he played Lucian in “Underworld”), he is best know for his role as David Frost in “Frost Nixon.” Aro, however, was a complete turnaround from the talk show host turned journalist. It seemed like Sheen based some of his character on Dr. Hannibal Lecter, how Aro found everything as a puzzle and the fact that he observed his guests with fascination, and slightly creepy eyes. you could see the work Sheen put into finding Aro because even though he held a small role, the depth could be seen in the mere movements he made.

Overall, four stars and two thumbs up for “New Moon” simply because Lautner’s biceps and abs are worth the $12.50 to get into the movie.

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NEW Moon has seen fans divided with the Robert Pattinson and Taylor Lautner debate.

new Moon, which hit cinemas last week, sees Taylor Lautner finally staking his claim against his Twilight Saga co-star Robert Pattinson – and we reckon Team Jacob might have just got the edge.

Taylor, who stars as werewolf Jacob Black, has revealed the results of his rigorous new Moon workouts – and it’s enough to shake even the most-loyal of Edward Cullen fans.

in a mouthwatering shoot, the 17-year-old shows off his bulging biceps in – wait for it – a wet t-shirt.

looking out at the ocean, Taylor puts his enormously muscular arms behind his head while he tries out his most contemplative stare.

the cover – which is for Rolling Stone – is set to make the young actor an even bigger heartthrob in Twilight circles and could perhaps even shake Robert Pattinson’s crown as Twilight heartthrob.

so, which team are you on now?

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The popularity of “New Moon” doesn’t seem like it will be slowing down anytime soon, not at the box office nor as a Twitter topic. of course, Twihards will be happy to know that the film’s cast and crew are more than appreciative. while Taylor Lautner doesn’t have his own Twitter (unacceptable!), the official “Twilight” twitter page passed along a message from him to fans, “From Taylor – Thanks for your incredible support of New Moon. Your passion for The Twilight Saga is the sole reason we’re #1 across the world!” it seems no one is more psyched to be taking the helm of the next chapter than “Eclipse” director David Slade who wrote, “The wild success of New Moon this weekend is both humbling & exciting as we continue Post on Eclipse. Thanks to you lot for the support.” Ah, just seven more months to go …

But, the “Twilight” family weren’t the only ones with something to be thankful this weekend (if only we a had a holiday to celebrate our gratitude … hmmm …), just ask non-vampire cutie Joseph Gordon-Levitt (pictured). The “(500) Days of Summer” star took over hosting duties on “Saturday Night Live” this weekend and all that hard work certainly paid off (did you SEE that opening monologue?) JGL took to his Twitter to give love to the home of “SNL,” posting, “Good bye, New York, thanks again…” No, Joe, thank you!

Check out the rest of today’s big topics in the Twitterverse, including celebs thoughts on the Adam Lambert AMA controversy, “Call of Duty”, and wacky Thanksgiving plans! Don’t forget you can follow us all the time @hollywoodcrush for all the latest on your favorite stars!

@solangeknowles i’ve never heard ANY of Adam Lamberts music. Never watched American Idol, but loving the series of tweets about him this week. Rock on Adam!
-Solange Knowles, Singer

@thisisrobthomas who cares that adam lambert kissed a guy? i care that he was pitchy. he has a better voice than that.
-Rob Thomas, Musician

@krisallen Congrats @adamlambert on the new album! everyone go get it.
-Kris Allen, Musician

@michaelurie Who’s got the weirdest thanksgiving plans?
-Michael Urie, Actor (”Ugly Betty”)

@kevin_nealon Thanksgiving Day dinner list: locked doors; check. Lights out; check. Phone disconnected; check. Well hid under the bed; check.
-Kevin Nealon, Comedian, Actor (”Aliens in the Attic”)

@danecook The day after Thanksgiving I’m headed 2 Honolulu, Hawaii. big show & little vaca finally w/ cool people.
-Dane Cook, Comedian, Actor (”Employee of the Month”)

@pink oooooh 65 minutes of cardio means more room for pizza. pizza pizza.
-Pink, Singer

@omarepps How do people read while their on the treadmill?? makes me dizzy…
-Omar Epps, Actor (”House”)

@robkardashian Call of Duty is callin me… Spent the nite without it…
-Rob Kardashian, Reality Star (”Keeping Up with the Kardashians”)

@davidabwilliams Pajama party tonight. wooop
-Davida Williams, Actress, (”Lizzie McGuire”)

The New Moon movie proved to be a treat for all Twilight fans. There was adventure, Taylor Lautner walking around with his shirt off, suspense, Taylor Lautner walking around with his shirt off, romance, and Robert Pattinson walking around with his shirt off. Oh, and I almost forgot…Taylor Lautner walking around with his shirt off.

The question is, who looked better with his shirt off: Robert Pattinson or Taylor Lautner? I say shirts off to Taylor Lautner. he looked good from the front and back. Call me a cougar, but I’m marking my calendar to February 11th of next year. Robert Pattinson on the other hand looked like a 60-year old man from the waist down. I’ll give him credit for not having a beer belly, but please, someone hand that boy a dumbell and a protein bar. For now, he needs to stick to scenes with his shirt billowing in the wind like the opening scene.

Did you prefer Taylor Lautner or Robert Pattinson with his shirt off?

Talk with more Twi-hard fans at Twilight Talk.